The film Black Swan explores and critiques cultural ideas concerning Essay

The film Black Swan explores and critiques cultural ideas concerning women - Essay Example In many ways, the ballet is the epitome of the misogynist fantasy, women who are represented as virginal and without sexuality, but with every movement of every muscle highlighted and visible. The great choreographer, George Ballanchine, wanted his ballerina’s to have no weight, to eat nothing, and to appear to be children rather than grown adults. Within the framework of the ballet, the dream of female fragility is played out through extremes of physical contortion and athleticism, which is presented to seem as if it is not. The film, Black Swan (2010), provides context for the nature of the life that women lead. Woman have always been constrained to live through the expectations put on them by society, trying to meet impossible standards without true recognition for how impossible the expectations that have been put on them are to meet. The expectation of perfection, the need to be all things, creates a pressure that often turns inward into self-mutilation and destructive be haviors. In the case of the lead character in Black Swan (2010), the critique on the culture of women explores the nature of striving for perfection and the dangers that lurk within the struggle to meet the expectations that are impossible to achieve. ... ecretaries for organizations, and do little within the home towards maintaining the daily chores, women are not allowed that luxury to let go of any sphere without facing failure. The ballerina, is first, an athlete. She performs on her toes, each movement of each muscle under her control so that she can turn, fly, twist, and land without appearing to be putting in any effort. She must be in peek condition, but her body must be starved of any body fat and lean without the bulge of muscle. Her representation is frail and fragile upon the stage, despite the strength and prowess that is required to create the dance. Her life is a contrast of needs, her impossible task set to see her fail. Few can achieve the balance, and all those who cannot, step away feeling like failures. The most notorious relationship in the recent history of the ballet is that between the choreographer George Balanchine and the ballerina Gelsey Kirkland. Kirkland wrote a book that described her experiences with Ba lanchine as he pushed his dancers to perform. He would tell his dancers â€Å"must see the bones†, â€Å"eat less†, and â€Å"eat nothing† (Freidler and Glazer 15). He led his dancers in what Kirkland is quoted as calling a â€Å"concentration camp aesthetic† (Gordon 124). Kirkland suffered from bulimia and anorexia nervosa, as well as drug addiction from taking pills to balance her lack of nutrition and energy. Her experience was painful, stressful, and full of the turmoil that women face as they strive to balance on their toes and be all things in the process. The metaphor of the ballet provides a rich textual dialogue about the difficulty of being a woman in today’s society. Unfortunately, as much as it is a metaphor it is also an explicit truth that the expectations in the ballet are